About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Mar 28, 2024 All My Plans Are in Ruins: Greek National Opera and Die Walküre
Mar 25, 2024 New Discoveries for a New Time: Dring, Howell, and Harrison’s Music for Two Pianos
Mar 24, 2024 The Hairpin Instrument: The Bassoon
Mar 23, 2024 From the Cold to the Warmth: Geirr Tveitt’s From a Travel Diary
Mar 22, 2024 A Pop-Classical Quiz For You
Mar 21, 2024 24 Things
Sigismond Thalberg’s Les Soirées de Pausilippe – Hommage à Rossini (Evenings at Posillipo – Homage to Rossini)
Mar 19, 2024 Songs of Travel
Gustav Mahler’s Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Mar 18, 2024 Looking to the Future: Dani Howard’s Orchestral Works
Mar 17, 2024 Sliding Around: The Trombone
Mar 15, 2024 Puppets Watching Puppets
Manuel de Falla’s El retablo de Maese Pedro (Master Peter’s Puppet Show)