“Are you breaking a world record?” “I think so.” Since 1998, Andreas Schulz has served as the Director of the Leipzig Gewandhaus Orchestra, the world’s oldest civic concert orchestra. Schulz’s devotion to music has been a lifelong endeavour: directing choirs,
ARTICLE OF THE WEEK
Locatelli, Kreisler, Joachim, and one wildly unorthodox Mozart
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Johann Sebastian Bach’s Grandson: The Last Composer of the Bach Dynasty The last Bach to compose — and his six-hand oddity -
Composers with Disabilities, Part 1
Delius, Billings, Kuhlau, Schumann Syphilis, blindness, and a ruined hand — yet they composed -
Seven of the Most Expensive Pianos Ever Made From Lennon's Imagine Steinway to the Casablanca upright -
Who Is Hayato Sumino? The Pianist Behind the YouTuber Cateen The engineer-turned-pianist bridging classical and pop -
Best Violin Sonatas: The 10 Greatest Works for Violin and Piano From Tartini's Devil's Trill to Beethoven's Kreutzer and beyond -
Making Fun of the Master
Richard Wagner in Caricature Find out how Wagner was depicted by caricaturists
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COMPOSERS
The Sound of the North The music of Finnish composer Jean Sibelius (1865-1957) achieved great popularity in English-speaking countries during the first half of the twentieth century. Yet, his reception in Central Europe and France became increasingly problematic. His music
MUSIC AND ARTS
Aldo Forte created Impressionist Prints: Six Masters in Two Galleries, using artworks by 6 of the greatest impressionists. Each painting captures a particular idea within Impressionism. He opens with Monet’s work in London. Monet’s 1872 painting Impression, Sunrise, was the
MUSIC OF THE WEEK
Beethoven's Pastoral wasn't meant to paint the countryside. Instead, he arranged emotions — happiness, calmness, togetherness, fear, and thankfulness — into five movements. It changed what a symphony could be. Have a listen to this revolutionary work!
PLAYLIST
A cadenza is one of classical music’s most thrilling traditions. It’s a moment near the end of a concerto movement where the orchestra falls silent, and the soloist plays alone. Originally, these passages were improvised on the spot, giving the
