What We Love About

Clarinetist Husnu Selendirici

Clarinetist Husnu Selendirici

There are certain things that catch our ear, catch our eye, and then become the focus for why we like things.

What we love about:

The clarinet: its warm tone

 Diana Damrau as the Queen of Night

Diana Damrau as the Queen of Night

Persichetti: Serenade No. 13, Op. 95: VI. Adagietto (Ricardo Morales and Theodore Schoen, clarinets)
Don Giovanni: the appearance of the Stone Guest and how Don G. gets his comeuppance

Violas: that they’re always there as support – you may not notice them in particular, but you’d notice their absence!

Die Zauberflöte: The Queen of Night’s Aria – no one does revenge better

 Giraffe piano

Giraffe piano

Double basses: how they can switch from being the bass support of an orchestra to the soloist in jazz

Historical pianos: how imagination once reigned in piano design.

 Angela Meade gets Russell Thomas’ attention in Norma

Angela Meade gets Russell Thomas’ attention in Norma

School choirs: their intensity and earnestness

Professional choirs: how they can make you re-hear that same music you sang in school and make you realize how immaturely you had approached it!

Sopranos: how they always demand, and get, your attention.

 The Tromba Marina from Buonanni’s Gabinetti Armonico (1722)

The Tromba Marina from Buonanni’s Gabinetti Armonico (1722)

Concert halls: How the perfect ones are like sitting in a warm twilight, with the best music in the world surrounding you.

Wozzeck: When he loses the knife, and hence his whole reason, plus we love it when the moon comes up.

Berg: Wozzeck: Act III Scene 4: Das Messer? Wo ist das Messer? (Eberhard Waechter, Wozzeck; Vienna Philharmonic Orchestra ; Christoph von Dohnányi, cond.)
Books on musical instruments: that there’s more to instruments than just that you see on a concert stage

 Harpsichord lid painting by Elizabetta Lanzoni

Harpsichord lid painting by Elizabetta Lanzoni

The trumpet: its commanding tone – sometimes of martial order and sometimes of a questioning commentary

Classical radio: when they play that new piece of music you’ve never heard from 200 years ago

Harpsichords: how there used to be real works of art inside

Kristine Opolais as Butterfly

Kristine Opolais as Butterfly

A Capella choirs: taking choir music to the popular realm and conquering it with humor

P.D.Q. Bach: doing something else with all that classical music you know and letting everyone else in on the joke

Madama Butterfly: imagining how the story would change if she used the knife on Pinkerton, that rat

 Der Freischütz at Zurich Opera  in 2016, staging by Herbert Fritsch

Der Freischütz at Zurich Opera in 2016, staging by Herbert Fritsch

Innovative staging: sometimes removing the original designs puts a different emphasis on the music

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