Scriabin

14 Posts
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Some Russian Jewels
An Interview with Nikita Lukinov
Pianist Nikita Lukinov’s new recording, Kaleidoscope, gives us a very definite view of Russian pianism at the end of the 19th century and into the 20th. He chose piano miniatures by 3 pianists who are each separated by 40 years
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On This Day
27 April (14 April): Alexander Scriabin Died
By 1915, Alexander Scriabin was working on a gigantic multi-media project called Mysterium. It was intended for performance in the foothills of the Himalayas over a period of seven days. “Bells suspended from clouds would summon spectators. Sunrises would be
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On This Day
6 January: Alexander Scriabin Was Born
The Russian Composer’s Family History When Alexander Scriabin was asked about his origins, he proudly proclaimed, “I come from a noble and military family.” His family ancestry can be traced back to the thirteenth century when Russia was under Tatar
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The Curious Soundworld of Alexander Scriabin
The music of Alexander Scriabin inhabits a distinctive, personal soundworld which is hard to define. It is the music of excess, ecstasy, tumult and passion. It is excessive, overripe, decadent, heavily perfumed, sensuous and frenzied, lacking in structure and sometimes
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Alexander Scriabin: Preludes, Etudes & Sonates nos. 4 & 5
Poeme tragique Op.34 From Alexander Scriabin: Preludes, Etudes & Sonates nos. 4 & 5 (2018) Released by Harmonia Mundi Scriabin: Poeme tragique Op.34Scriabin occupies a place apart in the history of Russian music: refusing influences from the folkloric tradition, his
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Scriabin’s Prometheus and his Religious & Artistic Beliefs
Alexander Scriabin (1872-1915) believed that art was separated from reality and existed as a pure form. Having deep faith in theosophy and perceiving himself as the Divine in the world, he was also influenced by Friedrich Nietzsche’s concept of Übermensch
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Unsung Concertos
Alexander Scriabin: Piano Concerto in F-Sharp Minor, Op. 20
During his lifetime, Scriabin was primarily known as a pianist, with Igor Stravinsky marveling at his phenomenal playing. Yet Scriabin also had the uncanny talent of making enemies, including his composition teachers. Sergei Taneyev was not impressed, and Anton Arensky
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Scriabin’s Color Symbolism in Music
In my last article I discussed Čiurlionis’ genius, single-handedly introducing Symbolism to his native Lithuania. Alexander Scriabin (1872-1915) in contrast, lived and worked within well-established artistic traditions in Russia, in which the various avant-garde movements in music and art from
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