Gilad Hochman: Musical Chairs
A piece written by our “Composer of the Month” Gilad Hochman.
A piece written by our “Composer of the Month” Gilad Hochman.
The 2010-11 season has been a tough one for classical music across the continent. In most cities, a sticking of heads in the sand in regard to how technology has changed our relationship with live performance and an insistence that the music itself was enough to fill the hall has left orchestral music standing in the corner wondering why people aren’t noticing how awesome it is anymore.

Photograph: Mark Allan

A revelation … Spira Mirabilis.
Photograph: Karen Robinson

BERLIN — The Berlin Philharmonic has dropped out of the Salzburg Easter Festival, effective in 2013, and is moving its annual springtime festival to Baden-Baden instead.
Peter Alward, who took over as executive director of the Salzburg Easter Festival just last year, and Managing Director Bernd Gaubert were informed late Friday of the Philharmonic’s withdraw (a press statement was released at 10:30 p.m. Central European Time).
A piece written by our “Composer of the Month” Alfredo Casella.
These days, when symphony orchestras make national news, the topic is usually not a happy one. Yet one group has received a very different kind of coverage: the YouTube Symphony Orchestra (YTSO). Culminating in a performance at Australia’s Sydney Opera House on March 20, 2011, this experiment has generated unprecedented buzz and excitement.
Classical violinist Paolo Calligopoulos says he pulled on the leather jacket, black fedora and sunglasses to perform an electric guitar solo for an online audition just for fun.