Posts Tagged ‘opera’ :

One aria at a time

Australian style ... a scene from Gale Edwards' Melbourne production of La Boheme, which is about to open in Sydney.

Lyndon Terracini is tackling some big challenges, so it helps that the man charged with dragging opera into the 21st century can discuss rugby league and the Ring Cycle with equal authority, writes Elicia Murray.

Date: November 9th, 2011
Tags:

Christian Gerharer : The Magic Flute – Papagena

play

Tags:

The Great Conversion: Opera at the Movies


MEXICO CITY(AP) — The first thing opera buff Marcelo Perez did when he retired eight years ago was take a bus to the U.S. border and then a train to New York, where he realized a lifelong dream by catching a performance at the Metropolitan Opera.

Date: August 10th, 2011
Tags:

In China, “Tosca” Is L’Opéra du jour

BEIJING – It says something about the brand-conscious culture here that classical music is also a slave to fashion. Only last season, “Turandot” was still threatening to become China’s national opera. Now, 2010-11 has become the season of “Tosca.”

Date: August 3rd, 2011
Tags:

“The Death of Klinghoffer” Comes to ENO

The English National Opera can hardly be accused of artistic stasis, having announced operas by four living composers as part of its 2011-12 season. Among them is John Adams and Alice Goodman’s 1991 work, “The Death of Klinghoffer,” about the hijacking in 1985 of the cruise ship Achille Lauro by the Palestine Liberation Front.

Date: July 29th, 2011
Tags:

Lewd, Crude and Over-the-top

VIENNA — If you wanted a fun night at the opera, you’d probably pick a Rossini comedy, or maybe “Così fan tutte.”

Date: July 13th, 2011
Tags:

James Levine’s 40 Years, in Soft Focus

NEW YORK (AP) — “James Levine: 40 Years at The Metropolitan Opera” (Amadeus Press), by the Metropolitan Opera: There are few surprises or fresh insights but plenty of nostalgia in this softcover coffee-table book that celebrates James Levine’s extraordinary career at the Metropolitan Opera.

Date: July 8th, 2011
Tags:

Whose language is opera: the audience’s or the composer’s?

THE question of whether opera should be performed in the language that most of the audience speaks, or in the language in which it was originally written, is an extremely contentious one.

Date: July 1st, 2011
Tags:

Jonas Kaufmann Preps for Siegmund

NEW YORK (AP) — Jonas Kaufmann knew he was taking a risk when he agreed five years ago to sing the role of Siegmund, the doomed hero of Wagner’s “Die Walkuere,” in the Metropolitan Opera’s new production that opens next week.

Date: June 24th, 2011
Tags:

Romanian diva ‘careful, not difficult’

Forget the hair, the gowns, the claws and the ego trips. There is only one thing that makes a true opera diva: weak knees.

Date: June 20th, 2011
Tags: