Composers > Anecdotes > J.S. Bach and J.J. Bach: Departure and Farewell
by Maureen Buja | May 31st, 2019

standard J.S. Bach and J.J. Bach: Departure and Farewell

Charles XII

Charles XII

We always think of J.S. Bach in terms of his own family – who he married, how many children he had, what those children did – but we rarely think of him in relation to the family in which he was a child.

Bach’s father was a city musician for Eisenach, and died in 1695 when Bach was only 10. J.S. was one of 5 surviving children of Johann Ambrosius and Maria Elisabeth Bach. He lived with his oldest brother Johann Christoph Bach for 5 years after his father’s death; his mother had died in 1694. Johann Christoph, an organist at Ohrfruf, was a student of Johann Pachelbel, who lived in nearby Gotha. J.S. probably learned the organ under his brother’s instruction, but composition seems to have been something he worked out himself.

An early work of J.S. Bach’s is the Capriccio in B flat, BWV992, which has been given the title Sopra la lontananza del suo fratello dilettissimo (On the Departure of a Beloved Brother), has often been linked to the departure of his brother Johann Jacob from Germany to Sweden in 1704, but this has been cast into doubt by a number of scholars. The word ‘fratello’ means ‘brother,’ but it could also mean any close friend.

Written around 1704, the work is very much in the Italian style. The emotions in the music are extreme: the famous third movement lament, overwrought and sad, is followed by an almost cheerful aria and fugue. We move from darkness to light. The music is set up to show the pictures of the departure – how his friends try to talk him out of the journey,

Bach: Capriccio sopra la lontananza del fratello dilettissmo, BWV 992: I. Arioso: Adagio – ‘Friends Gather & Try to Dissuade Him…’ (Richard Egarr, harpsichord)
their warnings of the dangers ahead,

Bach: Capriccio sopra la lontananza del fratello dilettissmo, BWV 992: II. (Andante) – ‘They Picture the Dangers Which May Befall Him’ (Wilhelm Kempff, piano)
their lamentations at his hardness of heart,

Bach: Capriccio sopra la lontananza del fratello dilettissmo, BWV 992: III. Adagiosissimo – ‘The Friends’ Lament’ (Gustav Leonhardt, harpsichord)
their acceptance,

Bach: Capriccio sopra la lontananza del fratello dilettissmo, BWV 992: IV. (Andante con moto) – ‘Since He Cannot Be Dissuaded, They Say Farewell’ (Remi Geniet, piano)
and then, to close, the sound of the post horn on the coach that bears his beloved brother away.

Bach: Capriccio sopra la lontananza del fratello dilettissmo, BWV 992: V. Allegro poco – ‘Aria of the Postilion’ (Aria di postiglione)
Bach: Capriccio sopra la lontananza del fratello dilettissmo, BWV 992: VI. ‘Fugue in Imitation of the Postilion’s Horn’ (Fuga all’imitazione della cornetta di postiglione) (Ramin Bahrami, piano)
This is a rare case in Bach of writing ‘program music,’ i.e., music to illustrate a particular story, even though we’re unsure of who actually departed. However, as we can hear in the music, J.S. Bach wasn’t being entirely serious, with touches of humour interjected among the general lamentation. This was another rarity in Bach’s music.

Johann Jacob Bach was an oboist, first in the municipal band in Eisenach, where he had been born, and where his father, Johann Ambrosius, had been a city musician. In 1704, he left Germany for Sweden, where he served in the military band of King Charles XII’s army.

Charles XII, who came to power in 1697 when he was 15, was an unusually victorious general. Sweden and its holdings in the Baltic region were attacked by a triple alliance of Denmark–Norway, Saxony–Poland–Lithuania, and Russia in 1700. By 1706, Charles had defeated all his enemies except Russia. His troops marched on Moscow and although was initially successful, he was finally sent into retreat by a Russian army twice his size. After his surrender at the Battle of Poltava in 1709, a battle that not only marked the end of the Swedish Empire but also the start of the Russian Empire under Peter the Great, he went into exile in the Ottoman Empire and J.J. Bach followed him. While in Constantinople, Bach studied flute under Pierre-Gabriel Buffardin when Buffardin was visiting in 1711, and after 1713 became a flautist in Stockholm. He died in 1722 and is buried in Stockholm. J.S. Bach, with a far less exciting career, outlived his beloved brother by nearly 30 years.

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