She won first prize for piano at the Conservatoire in 1923 and took charge of Long’s preparatory class, by 1941, she was a professor of piano at the Conservatoire. Long considered her to be her spiritual heir.
As a pianist, her career focused much more on music by contemporary composers, including André Jolivet, for whom she performed the premiere of his Piano Concerto.
Jolivet: Piano Concerto: III. Allegro frenetico (Lucette Descaves, piano; Strasbourg Radio Symphony Orchestra; Ernest Bour, cond.)
Other composers she performed included Jean Rivier, giving the premiere of his 1954 Piano Concerto, and recording the complete piano music of Arthur Honegger.
She also championed other French composers such as Ravel or Albert Roussel, recording Roussel’s complete piano works. Yet, she also had a sure touch with the classical composers such as Mozart, here performing his Theme and Variation set, K. 354, “Je suis Lindor,” which was recorded in 1956 for the 200th anniversary of Mozart’s birth.
Her performances were praised for their “rhythmic acuity, evocative phrasing and effortless virtuosity,” all of which is evident in these recordings.