When Dvořák first won the Austrian State Prize for young, talented writers, artists, and musicians, he was judged by Johann Herbeck, conductor of the Court Opera in Vienna, and the critic Eduard Hanslick. Herbeck would eventually resign from the commission, and Brahms was appointed to succeed him. Since Dvořák continued winning the state stipend for another three years in succession, Brahms was able to observe his progress as a composer, and he persuaded his publisher to publish some of Dvořák’s works. What has been largely overlooked in this context is that Eduard Hanslick was instrumental in furthering Dvořák’s career. Of course, Hanslick had ulterior motives, as he used the composer to lambast the proponents of program music. “I cannot think of setting Dvořák,” he writes, “on the same level as Richard Strauss. Dvořák is a genuine musician, who has proved a hundred times that he requires no program and no epigraph in order to delight us with pure, independent music. He arouses in us thoughts and feelings, showers of joy and sadness, without the need of the swindle of false erudition.”
When Dvořák first won the Austrian State Prize for young, talented writers, artists, and musicians, he was judged by Johann Herbeck, conductor of the Court Opera in Vienna, and the critic Eduard Hanslick. Herbeck would eventually resign from the commission, and Brahms was appointed to succeed him. Since Dvořák continued winning the state stipend for another three years in succession, Brahms was able to observe his progress as a composer, and he persuaded his publisher to publish some of Dvořák’s works. What has been largely overlooked in this context is that Eduard Hanslick was instrumental in furthering Dvořák’s career. Of course, Hanslick had ulterior motives, as he used the composer to lambast the proponents of program music. “I cannot think of setting Dvořák,” he writes, “on the same level as Richard Strauss. Dvořák is a genuine musician, who has proved a hundred times that he requires no program and no epigraph in order to delight us with pure, independent music. He arouses in us thoughts and feelings, showers of joy and sadness, without the need of the swindle of false erudition.”
More this Category
- On This Day
19 April: Natalie Dessay Was Born "a renewal of the often lamented lost French vocal style" - On This Day
17 April: Anton Rubinstein’s The Maccabees Was Premiered "the greatest triumph the city had witnessed since L’Africaine ten years before" - On This Day
14 April: George Frideric Handel Died Learn about his final days and legacy - On This Day
11 April: Sondra Radvanovsky Was Born A celebrated interpreter of the bel canto, verismo, and works by Verdi