It’s easy to forget that the creation of a new piece usually involves a substantial amount of money changing hands to ensure that the composer is paid fairly. Trusts and foundations, organisations such as the BBC, or private donations have

In my last two Interlude articles we followed the development towards abstraction in art and music in Germany and France, but interestingly, it was artists in Russia who led the movement towards total abstraction. There was of course a constant

Why do you attend concerts? Is it for the performer or the work being performed, or, is it because it’s the place you need to be to see and be seen? There’s nothing sadder than attending a fabulous concert and

Are you ready for a bit of specialist musical trivia to impress your friends? Here it goes! What is the name of the instrument that you can see, you can hear but you can’t touch? Performing on this instrument has

The Shanghai Conservatory of Music is one of the most competitive musical education institutions in China. The Conservatory’s Vice President, Zhang Xiangping, and Zhou Xianglin, the director of teaching and study affairs, filled me in on how training at Shanghai

Paul Klee (1879-1940) craved the freedom to explore radical and modernist experimentations in his paintings. In music, however, he could never come to terms with contemporary works of Schoenberg, Berg and Webern. In fact, he even disliked the compositions of

‘In this modern world, we are constantly confronted by this question of how best to spend our free time’, explains Sam Bodkin. ‘Are we going to engage with a challenging work of art?’ he asks. ‘Or are we going to

Amongst the wealth of operatic activity in the UK today (as surveyed recently on Interlude), the work of Streetwise Opera stands out as some of the most important. Founded in 2000, they have worked with London’s homeless on a number