In tune

With Arts, Sciences and Society

WWI Composers: Elgar, Schoenberg and Holst

The First World War was not merely a global military conflict; it also had far reaching implications for civilian life. It called upon women to become a fundamental part of the war effort, carrying out domestic labor, waged industrial labor, [...] more >>

by Georg Predota | March 21st, 2018
Musical Voices of WWI (1914-18) Kreisler, Caplet and Hindemith

In 1910, Fritz Kreisler (1875-1962) was at the top of his game! He had just premiered the Elgar Violin Concerto under the composer’s direction at Queen’s Hall in London, and he was revered as one of the finest instrumentalists of [...] more >>

by Georg Predota | March 14th, 2018
The Last Best Patron

We think of patrons in music associated with the music of earlier times: Florentine lords and leaders, the Pope, or all those Russian princesses who propped up Russian composers. In America, though, it was the daughter of Chicago wholesaler who [...] more >>

by Maureen Buja | March 13th, 2018
Musical Voices of WWI (1914-18) Vaughan-Williams, Stephan and Bliss

Ralph Vaughan Williams was already an established composer at the onset of the First World War. By 1914, he had created a considerable body of works, including two symphonies and various works for orchestra, an opera and a number of [...] more >>

by Georg Predota | March 7th, 2018
In Awe of the Verbier Festival Orchestras

“Listen to Awesomeness” is a contemporary jargon used to market products related to focused listening – from audiobooks to earphones to DJs streaming music online. Even though the expression rarely exists in the classical music arena, it aptly reflects my [...] more >>

by Ellen Wong Tso | March 4th, 2018
Women on the Podium

Did the diarist Samuel Pepys alert us to women conductors in 17th century London? There we went and eat and drank and heard musique at the Globe, and saw the simple motion that is there of a woman with a [...] more >>

by Maureen Buja | March 2nd, 2018
Musical Voices of WWI (1914-18) Ravel, Berg, and Butterworth

Trench warfare, which has since been described as “futility in conflict,” gained its horrifying notoriety on the Western Front in the First World War. By the time the dust and poisonous gas clouds had settled on the “war to end [...] more >>

by Georg Predota | February 28th, 2018
Playing Together – Women’s Orchestras and Women in Orchestras

The late-19th and early 20th centuries saw a new phenomenon: all-women orchestras. Kept out of the traditional orchestras by reason of gender (it certainly wasn’t because of talent), women musicians came together to form their own orchestras.

by Maureen Buja | February 27th, 2018