“The only love affair I have ever had was with music.”
Maurice Ravel
The history of classical music, however, is full of fabulously gifted individuals with slightly more earthy ambitions. Love stories of classical composers are frequently retold within a romanticized narrative of sugarcoated fairy tales. To be sure, happily-ever-after stories do on rare occasions take place, but it is much more likely that classical romances lead to some rather unhappy endings. Johannes Brahms had an overriding fear of commitment, Claude Debussy drove his wife into an attempt at suicide, Francis Poulenc severely struggled with his sexual identity, and Percy Grainger was heavily into whips and bondage. And that’s only the beginning! The love life of classical composers will sometimes make you weep, or alternately shout out with joy or anguish. You might even cringe with embarrassment as we try to go beyond the usual headlines and niceties to discover the psychological makeup and the societal and cultural pressures driving these relationships. Classical composer’s love stories are not for the faint hearted; they are heightened reflections of humanity at its best and worst. Accompanying these stories of love and lust with the compositions they inspired, we are able to see composers and their relationships in a completely new light.
Recently, I came across a composition entitled Three Boneless Preludes for a Dog. With a name like that, it was instantly clear that it could only have come from the pen of Erik Satie. But it was still rather surprising
When Gustav Mahler died in 1911, his widow Alma first sought comfort in the arms of her already-lover Walter Gropius. However, Alma still harbored resentment that Gropius had intentionally misaddressed an envelope and thus exposed their affair to Gustav. In
In the summer of 1910, Gustav and Alma Mahler once more made their way to Toblach for their annual summer routine. Their personal relationship, however, was becoming severely strained. Much of the marital discontent can be traced back to the
Christoph Willibald Gluck: Ezio, “Va, ma tremo” He was 36, an internationally acclaimed but impoverished composer of opera. She was 18, daughter of a wealthy merchant and banker, and a member of the circle of ladies in waiting who surrounded
Richard Strauss first met Francesca Gaetana Cosima Liszt-Bülow Wagner in March 1889. Of all his acquaintances and friendships during this period of his life, this one was to have the most important consequences for his immediate future. Alexander Ritter had
There can be no doubt that Lotti Speyer had seriously enflamed the romantic passions of the young Richard Strauss. After a short ten days at the little spa of Heilbrunn, however, the two lovebirds had to return to their respective
During the summer of 1883, the nineteen-year-old Richard Strauss (1864-1949) spent a short ten-day holiday at the little spa of Heilbrunn. Located between Bad Tölz and the Kochelsee in Bavaria, the natural thermal springs and forested rolling hills had long