“The only love affair I have ever had was with music.”
Maurice Ravel
The history of classical music, however, is full of fabulously gifted individuals with slightly more earthy ambitions. Love stories of classical composers are frequently retold within a romanticized narrative of sugarcoated fairy tales. To be sure, happily-ever-after stories do on rare occasions take place, but it is much more likely that classical romances lead to some rather unhappy endings. Johannes Brahms had an overriding fear of commitment, Claude Debussy drove his wife into an attempt at suicide, Francis Poulenc severely struggled with his sexual identity, and Percy Grainger was heavily into whips and bondage. And that’s only the beginning! The love life of classical composers will sometimes make you weep, or alternately shout out with joy or anguish. You might even cringe with embarrassment as we try to go beyond the usual headlines and niceties to discover the psychological makeup and the societal and cultural pressures driving these relationships. Classical composer’s love stories are not for the faint hearted; they are heightened reflections of humanity at its best and worst. Accompanying these stories of love and lust with the compositions they inspired, we are able to see composers and their relationships in a completely new light.
Sergei Prokofiev would make a compelling case study for a textbook investigating the psychology of the exceptional child. Supremely talented in musical matters, Sergei had composed a number of overtures, various piano pieces and his first opera The Giant by
When Janne Sibelius and Aino Järnefelt gazed at each other across a family dinner, love was definitely in the air. “My eyes never left you,” Sibelius wrote later, and her brother Arvid loudly proclaimed, “Don’t look at my sister like
At age 23, Jean Sibelius “was pale and good-looking, slender and sensitive. He seemed to all a strange and attractive being. And of course, we were all in love with him…And he was lovable. Refined, attractive, polite, he had that
In 1937, Bohuslav Martinů visited the city of Prague to prepare for the premiere of his opera Julietta. During that visit, he met the highly talented composer Vítĕzslava Kaprálová, who had written her first two compositions for piano solo by
Ernest Hemingway once famously wrote, “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.” For
Louis Victor Jules Vierne was seemingly born under an unlucky star! He emerged into this word nearly blind on 8 October 1870. Two serious operations in 1877 finally enabled him to read large print, and he eventually learned Braille in
César Franck had a rather ambitious and overbearing father! Determined to make the most profitable use of his son’s musical talents, he forced him into a career as a virtuoso pianist. Studies at the Liège and Paris Conservatory set the
Sergei Rachmaninoff was deeply wounded when critics admired him as a pianist but never acknowledged him as a composer. Battling severe bouts of depression he dejectedly confided in Marietta Shaginyan “that he would concentrate fully on playing and would stop