Anecdotes

“Anecdotes and maxims are rich treasures to the man of the world.”

Johann Wolfgang von Goethe

The universe of classical music is jam-packed with musical anecdotes. Frequently these short narratives delineate subtle stories that highlight specific traits of a classical composer or a performer. Often humorous, anecdotes of classical composers don’t simply provoke laughter but can reveal a more general and subtle truth. We find Sophia Corri escaping her inattentive husband in an empty harp case, Beethoven being thrown in jail for vagrancy, and Rossini and Pavarotti both cooking their favorite meals. Napoleon gave free reign to his infatuation with an opera singer, Bach was challenged to a duel, and Frederick the Great had not only a great passion for music but also for a handsome Lieutenant in the Royal Guard. A musical anecdote is part of the process of telling a story, but it means sharing an experience with someone and not simply supplying him or her with information. And don’t worry, embellishment, exaggeration or fictitious invention are all part of the process. Anecdotes of classical composers impart the sense of a lived experience, as they usually involve real people in recognizable places and locations. In fact, musical anecdotes exhibit a special kind of realism and an identifiable historical dimension. Check back with us for more insightful and delightful musical anecdotes.

626 Posts
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    The problems with performances in the age of Covid is that the large orchestral works are just too dangerous to assemble. In Erwin Stein’s 1921 arrangement of Mahler’s Symphony No. 4, created for Arnold Schoenberg’s ‘Society for Private Musical Performances,’
  • Edward Elgar: The Crown of India Edward Elgar: The Crown of India
    George V, alongside Queen Mary, was crowned King of the United Kingdom, the British Dominions, and Emperor of India at Westminster Abbey on 22 June 1911. It had already been announced that the royal couple would travel to India to
  • 4 Hands 4 More Piano Fun III 4 Hands 4 More Piano Fun III
    It is certainly telling that the earliest surviving music by Franz Schubert is the extended Fantasie D. 48 for piano duet. Composed at the age of thirteen, Schubert composed prolifically for the medium until his untimely death at the age