“Anecdotes and maxims are rich treasures to the man of the world.”
Johann Wolfgang von Goethe
The universe of classical music is jam-packed with musical anecdotes. Frequently these short narratives delineate subtle stories that highlight specific traits of a classical composer or a performer. Often humorous, anecdotes of classical composers don’t simply provoke laughter but can reveal a more general and subtle truth. We find Sophia Corri escaping her inattentive husband in an empty harp case, Beethoven being thrown in jail for vagrancy, and Rossini and Pavarotti both cooking their favorite meals. Napoleon gave free reign to his infatuation with an opera singer, Bach was challenged to a duel, and Frederick the Great had not only a great passion for music but also for a handsome Lieutenant in the Royal Guard. A musical anecdote is part of the process of telling a story, but it means sharing an experience with someone and not simply supplying him or her with information. And don’t worry, embellishment, exaggeration or fictitious invention are all part of the process. Anecdotes of classical composers impart the sense of a lived experience, as they usually involve real people in recognizable places and locations. In fact, musical anecdotes exhibit a special kind of realism and an identifiable historical dimension. Check back with us for more insightful and delightful musical anecdotes.
On 3 January 1781, Wolfgang Amadeus Mozart wrote his father from Munich, “My head and my hands are so fully occupied with my third act, that it would not be wonderful if I turned into a third act myself, for
It was one of those memorable evenings in the history of music. Joseph Haydn had come to London at the age of 62 on a second concert tour arranged by the impresario Johann Peter Salomon. And on 2 February 1795,
Romantic artists have long been fascinated with the Orient. Paradoxically, this attraction became even more powerful because it concerned essentially unknown territory. Guided by a more or less imagined Orient, a good deal of music was motivated by the picturesque.
Béla Bartók’s first ballet, The Wooden Prince (1916) takes us to the story land of princes and princesses, and, of course, evil fairies. But, to get it on stage, Bartók had to contend first with the evil management of the
The Louisiana territory was a huge tract of land in North America, stretching from the Canadian provinces of Alberta and Saskatchewan all the way to the mouth of the Mississippi River and the city of New Orleans. From 1699 until
The French choral movement known as the orphéons originated during the French Revolution. Within 15 years, the initiative was so popular that it led to the creation of the Paris Orphéon choral society, an organization eventually directed by Charles Gounod.
For the longest time, the Prix de Rome competition was a “good ole boys” affair. After a century of the compositional Prix de Rome being closed to women, the Education Minister Joseph Chaumié made the surprise announcement at a press
Anton Rubinstein called Henryk Wieniawski (1835-1880) “the greatest violinist of his time.” A combination of French schooling and Slavonic temperament, Wieniawski had impeccable technique and produced a wonderfully warm and rich tone. As such, he made light work of technical
