We’ve all been to the opera when they cast young men with unchanged voices in operatic roles and, well, they may not just have, let’s say, the vocal maturity to carry this off. Time for the women to take charge!
In the spring of 1778, the 22-year old Wolfgang Amadeus Mozart returned to the city of Paris. This time he was chaperoned by his mother—who would tragically fall ill and die—with father Leopold staying put in Salzburg to appease their [...] more >>
Nothing came easy for Anton Bruckner, and habitually plagued by debilitating periods of low self-esteem, he was an easy target for music critics, journalists and composers alike. A particularly vicious critic accused him of “composing like a drunkard.” Given such [...] more >>
The appeal of Serge Diaghilev’s productions for the Ballets Russes is based on the novelty of Russian dance, and on its penchant for exotic subjects, many of them folkloric in nature. Igor Stravinsky scored a Parisian triumph for Diaghilev‘s troupe [...] more >>
In August 1959, Jubilee Hall in Aldeburgh was undergoing a complete refurbishment, and to celebrate the reopening a year later, a new opera was definitely required. Since Benjamin Britten already was the artistic director of the Aldeburgh Festival at that [...] more >>