Is classical music doomed?

In a world of instant musical gratification, where tunes from any genre or artist are available at the click of a mouse, can classical music remain relevant to the digital generation?

Date: July 20th, 2011
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Philip Sheppard: Around the world in 200 tunes

Philip Sheppard has just recorded every known national anthem for use at the Olympic Games. The man deserves a medal, says Adam Sweeting.

Date: July 18th, 2011
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Olympics 2012: Ten things you never knew about national anthems

Did you know the Congo national anthem asks: “And if we have to die/ Does it really matter?” Here are more facts about national anthems.

Date: July 15th, 2011
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Lewd, Crude and Over-the-top

VIENNA — If you wanted a fun night at the opera, you’d probably pick a Rossini comedy, or maybe “Così fan tutte.”

Date: July 13th, 2011
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The Accidental Composer: Du Yun

SAN FRANCISCO — Talking to Du Yun, one gets the sense of many careers proceeding simultaneously. Orchestral music, opera, pop, performance works – all are facets of the musical life of the Shanghai-born, New York-based composer.

Date: July 11th, 2011
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James Levine’s 40 Years, in Soft Focus

NEW YORK (AP) — “James Levine: 40 Years at The Metropolitan Opera” (Amadeus Press), by the Metropolitan Opera: There are few surprises or fresh insights but plenty of nostalgia in this softcover coffee-table book that celebrates James Levine’s extraordinary career at the Metropolitan Opera.

Date: July 8th, 2011
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Learning to play music as a child boosts brain as a pensioner

Hours spent practising the piano as a child could pay off in more ways than one, scientists have found.

Date: July 6th, 2011
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How a $1.5 million violin saved my life

I STARTED playing the violin when I was four. I became pretty good just from listening to my older brother play, and my parents realised I had talent. With regular tuition from very good teachers, I was playing in concerts by the time I was seven, as a soloist in an orchestra at nine. I got my first management at 10 and was signed to Deutsche Grammophon at 11 – their youngest ever artist.

Date: July 4th, 2011
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Whose language is opera: the audience’s or the composer’s?

THE question of whether opera should be performed in the language that most of the audience speaks, or in the language in which it was originally written, is an extremely contentious one.

Date: July 1st, 2011
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What Professional Orchestras Should Learn from YouTube

These days, when symphony orchestras make national news, the topic is usually not a happy one. Yet one group has received a very different kind of coverage: the YouTube Symphony Orchestra (YTSO). Culminating in a performance at Australia’s Sydney Opera House on March 20, 2011, this experiment has generated unprecedented buzz and excitement.

Date: June 29th, 2011
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