Playing Along with The Mozart Effect
If you want music to sharpen your senses, boost your ability to focus and perhaps even improve your memory, you need to be a participant, not just a listener.
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If you want music to sharpen your senses, boost your ability to focus and perhaps even improve your memory, you need to be a participant, not just a listener.
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Modern classical music is so widely disliked by audiences because the human brain struggles to find patterns it needs to understand the compositions as music.
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The Metropolitan Opera, which announced its plans for the 2010-11 season on Monday, said Mr. Sellars would make his directing debut at the house with “Nixon in China,” John Adams’s 1987 opera. Meanwhile, a Zeffirelli production — “La Traviata” — will bite the dust.
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CLASSICAL music is cool again. How do we know? Because cool people say so. Alex James, the bassist with Brit-pop superstars Blur, wrote in the British tabloid The Sun that “classical music isn’t just for snobs … Tchaikovsky’s Romeo and Juliet is great lovemaking music, better than Foo Fighters. You’re talking a different class of shag.”
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It’s that time of year again, when practical jokers have a field day. Good-humored horseplay seems prevalent in cultures everywhere, even — according to Morning Edition commentator Miles Hoffman — within the hallowed halls of classical music.
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It fuses intricate classical music compositions and the simplistic iconography of a PlayStation. It allows the most unmusical people to play Beethoven in minutes. It has caused a revolution in how music is taught across Europe. And now it is making waves in Scottish schools.
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Monday, Feb. 22, is Frédéric Chopin’s 200th birthday. That is, it’s Fryderyk Chopin’s birthday; the Polish-born, Paris-dwelling composer’s name is more commonly spelled these days with Ys. And that’s his birth date according to a baptismal certificate; the composer said he was born on March 1. Even 200 years after his birth, things that appear simple about Chopin are actually more complicated than they seem.
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American scientists have restored speech to stroke victims by getting them to sing words instead of speaking them, a leading neurologist said.
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TWO centuries ago an elfin musical prodigy, Frédéric Chopin, was born in a village near Warsaw. At 11, he dazzled the Russian tsar, Alexander I, with his own piano music. His poetic performances continued to enthrall; at 22, he was at the pinnacle of Parisian society.
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Imagine this: you drop onto the sofa on a Sunday afternoon, switch on the TV and see a dapper young man with a baton standing before an orchestra and demonstrating the patterns conductors use to lead music in different meters — two, three, four and five beats to the bar.
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