Forgotten records

129 Posts
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Entertaining the Prisoners: Borodin’s Polovtsian Dances
In Alexander Borodin’s opera Prince Igor, left unfinished at the composer’s death, we have modern Russia of the 12th century fighting pre-modern Russia. Prince Igor and his army are going to war against the Polovtsy who have attacked Russian lands.
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Making New From Old: Berlioz’ Roman Carnival Overture
Hector Berlioz (1803 – 1869) had a difficult path to success. He tried time and time again to win the highest award France gave for music, the Prix de Rome, but he could only win it by modifying his style
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Supernatural Schumann: The Manfred Overture
Solitude….suffering….and the supernatural. Yes, we’re in the middle of Romanticism and when one of the most romantic of composers, Robert Schumann, takes up the romantic tale of Count Manfred as told by the most romantic of poets, Lord Byron, we
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The International Unknown: Viotti’s Violin Concerto No. 22
The most famous 19th-century violinist that you’ve probably never heard of had a career that spanned all of Europe. He was widely travelled, his debut in Paris in 1782 was an unprecedented success, he was a favourite of Queen Marie
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Against a Habanera Rhythm: Saint-Saëns’ Havanaise
The match between the French composer Camille Saint-Saëns and the Spanish violin virtuoso Pablo Sarasate was ideal – even when Sarasate didn’t play the premiere of a Saint-Saëns violin work, his light and nimble style was always there in the
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The French Flute: Caplet’s Petite Valse
In the late-19th and early-20th century, the flute rose on the solo stage, largely through the efforts of French flutists such as Georges Barrère (1876-1944). His career started with a solo in one of the most innovative works of Claude
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For Who?: Beethoven’s Für Elise
It’s the bane of every beginning pianist – it’s too easy to make it banal and not musical – and it’s probable that the work itself is misunderstood by 99% of the amateurs who attempt it. ‘It’ is Beethoven’s Bagatelle
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Perfect, But Too Strong: Beethoven’s Leonore Overture No. 3
Beethoven’s opera Fidelio had problems from the start. Its premiere, in November 1805, came a week after Napoleon’s troops had invaded Vienna. The composer’s patrons had left the city, and the audience, largely made up of French officers, didn’t like
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