Forgotten records

129 Posts
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Returning to Virtuosity: Franck’s Symphonic Variations
César Franck (1822–1890) was a true international composer: he was born in Belgium, was a French citizen by choice, and may have even had a bit of German in his remote past. His musical skills were recognized early and exploited
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The Swiss Hero: Rossini’s William Tell Overture
The legend of the Swiss hero William Tell was the basis for Giaochino Rossini’s 1829 opera, Guillaume Tell, as through the hands of a play by Friedrich Schiller, Wilhelm Tell, and a libretto by Victor-Joseph Étienne de Jouy and L.
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Our Favourite Warhorse: Beethoven’s Symphony No. 5
The powerful start to Beethoven’s Fifth Symphony has meant various things over the centuries. During his time, according to his assistant, the music was taken to signal Fate knocking at the door. During the second world war, it was a
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Outdoor Music: Handel’s Water Music
When George Frideric Handel (1685-1759) first arrived in London in 1711, it was to oversee the staging of his new Italian opera Rinaldo. At the time, he was employed as the Kapellmeister in Hanover but was permitted to take 8
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My Ladye Nevells Booke: Byrd’s Keyboard Works
William Byrd (c. 1540–1623), although a Catholic in Protestant England under Elizabeth I, made his career as the greatest English composer of his era. Although his early studies are not fully known, it is believed that he studied in London
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Realism or Impressionism: Debussy’s Prelude to the Afternoon of a Faun
Debussy hated being called an impressionist composer. Impressionism in painting had been given its name based on the title of a Monet picture, Impression, soleil levant (Impression: Sunrise), the painters preferred to regard themselves as realists, showing the world in
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New Horn Techniques: Beethoven’s Rondino
Beethoven left his home city of Bonn in 1792 for Vienna, where he stayed for the rest of his life. This was his second attempt at Vienna – he had been sent there by his patron in 1787 where he
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North to South: Mendelssohn’s Symphony No. 4
Mendelssohn had the consummate skill to bring a landscape to life, whether it was the wilds of the Scottish Isles in his Symphony No. 3, or the warmth of Italy in his Symphony No. 4. Mendelssohn began writing his Italian
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