Blog > A Salome to flummox the Salzburg glitterati
by Philip Eisenbeiss | August 19th, 2018

standard A Salome to flummox the Salzburg glitterati

This summer’s Salzburg Festival chatter was dominated by the enthusiastic reviews of the new production of Richard Strauss’ Salome and its new star soprano Asmik Grigorian.

In Tune > Society > The Componium of Dietrich Nikolaus Winkel
by Georg Predota | August 19th, 2018

standard The Componium of Dietrich Nikolaus Winkel

Reporting from a scientific exhibition in Paris, a musical journal in 1824 wrote, “the astonishment of the hearers was at its height when, after having executed a march with variations by Moscheles, the instrument was left to follow its own [...] more >>

Blog > The Musician’s Vulnerability
by Frances Wilson | August 19th, 2018

standard The Musician’s Vulnerability

Please don’t shoot at the pianist; he’s doing his best(attributed to Oscar Wilde) I sometimes get the feeling people think musicians are invincible… We engage in a highly complex, technical and artistic activity which requires huge physical and mental agility [...] more >>

Blog > Schools of Cello Playing: France
by Janet Horvath | August 18th, 2018

standard Schools of Cello Playing: France

Like the German school of cello playing, the French School had a centuries-long impact, which continues today. When we think of French playing, refinement, finesse, and elegance come to mind, but during the 18th Century in Northern Europe the cello [...] more >>

Composers > Anecdotes > Schreker: - Der Ferne Klang - (The Distant Sound) - Premiered today in 1912
by Georg Predota | August 18th, 2018

standard Schreker: Der Ferne Klang (The Distant Sound)
Premiered today in 1912

Franz Schreker (1878-1934) is largely forgotten today, but in his time he was Richard Strauss’ main rival for the title of Germany’s leading composer of opera. Schreker wrote complex harmonic scores using advanced chromatic harmonies and large orchestras, yet his [...] more >>

My music > KODÁLY, Z.: Concerto for Orchestra / Dances of Galánta / Dances of Marosszék / The Peacock Variations
August 18th, 2018

standard KODÁLY, Z.: Concerto for Orchestra / Dances of Galánta / Dances of Marosszék / The Peacock Variations

Galántai táncok (Dances of Galánta) From KODÁLY, Z.: Concerto for Orchestra / Dances of Galánta / Dances of Marosszék / The Peacock Variations (2018) Released by Naxos Kodaly: Dances of GalántaZoltán Kodály, like his compatriot Béla Bartók, wrote major orchestral [...] more >>

Composers > Anecdotes > Familiar but different – Opera in other languages
by Maureen Buja | August 17th, 2018

standard Familiar but different – Opera in other languages

We are so used to the sound of opera aria sung in their native language that when we run across translated versions, we’re often stopped in our tracks. English National Opera in London is (in)famous for its presentation of all [...] more >>

Media > Why Do We Use Italian Words to Describe Music?
August 17th, 2018

standard Why Do We Use Italian Words to Describe Music?

In 2007, the ever fashion-forward musician Kanye West boasted “I don’t see why I need a stylist / when I shop so much I can speak Italian.” Mr. West, it appears, has acquired so much Gucci, Fendi, Versace, Prada et [...] more >>