About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Jun 27, 2023 Performing the New: An Interview With Madeleine Mitchell
Jun 26, 2023 Lost and Found: Dvořák’s Polonaise in A major
Jun 25, 2023 The Lyrical Piano
Mendelssohn’s Lieder ohne Worte (Songs without Words)
Jun 24, 2023 Making Fun of the Master
Richard Wagner in Caricature
Jun 22, 2023 The Loud Harpsichord
Frank Martin’s Harpsichord Concerto
Jun 21, 2023 The Disappearing Light of Fireflies
Jun 21, 2023 Healing Music: An Interview with Kelly Tang
Jun 20, 2023 Musicians and Artists: Dutilleux and Van Gogh
Jun 19, 2023 Playing With the Danube: Schulz-Evler’s Blue Danube Arabesques
Jun 18, 2023 Putting Anger into Music
Zemlinsky’s The Mermaid